Morning Leaves Palette, for flute quartet

Morning_Leaves_Palette_title_

 

In F.

  1. Adagio quasi sognando
  2. Allegretto fragile

 

Date of composing August 2017

Genre suite in two movements (slow-fast)

Style contemporary, Neo-Romantic

Duration [5’18”], [2’05”]

Level of difficulty advanced

Copyright © 2017 Natalia Pispini

 

Idea and musical structure

Looking at the forest foliage in summer morning, I wanted to set those images to music. I thought of different colors of green, their obscure transition and mixture, the sun light coming and illuminating new sites and corners before masked in shadow…

For this task, the quartet of 4 flutes in C, I thought, would be suitable.

The constructive principles of the piece came as the continuation of the idea of a morning leaves palette. It is the ‘mixing’ and ‘blurring’ motifs, and the shimmering of major / minor keys (as similar to lights and shades). The thirds and the sixths intervals in various combinations play important role in the whole construction. While working, I developed at least two different ways of how these principles can be applied, and, in order to display both ways, I composed two movements in slow-fast scheme. The second movement follows the first immediately (attacca).

  1. Adagio quasi sognando. Consisting of several blocks which are like different kind of images grasped by the sunrays. The blocks, although have different texture, follow certain tonal scheme. Instead of direct joining the blocks I used the technique of ‘blurring’ the borders, when the sound of the following block appears while the previous one still goes, and the sound of the previous block is echoing while the new one comes. Technically, you can create this ‘blurring’ in various ways. Here, for blurring sectors I used arithmetic and geometric rhythmic progressions. The same set of blocks is repeated twice, with slight ‘blurring’ variations, in order to prolong the impressions, to make them yet more static and expository.

 

  1. Allegretto fragile. The major / minor keys shimmering and the thirds / sixths intervals are intertwined with polyphonic form based on a 4-voice canon. So called ‘simple’ canon (imitations come at the unison), rhythmically plain, but has structural complications.

Performance notes

The flute players are better to be located spaciously on the stage in order to achieve the stereo effects in some episodes of the 1st mvt., and all along the 2nd mvt.

The 1st mvt. needs exact rhythmic reading. Before the longer notes the short breathing breaks are possible. Legato should be applied everywhere when appropriate.

The 2nd mvt. has moderate volume between mp and mf, and quiets down by the end.

 

Look at the score samples  1st mvt.    2nd mvt

Listen to the MIDI excerpt on SoundCloud

Listen to the MIDI excerpts + score samples on YouTube

 

If you like the suite and want to play it, please contact me.

Natalia

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После дождя / After the rain, choral song on Alexander Block’s poem

 

From : Two choral songs on Alexander Blok’s poems

Date of composing March 2016

Genre choral songs for mixed SATB chorus a cappella

Language Russian

Style Romantic, Neo-Romantic

Duration [2’00”]

Level of difficulty advanced

Dedication to Nina A. Zharkova

Copyrights music: © 2016 Natalia Pispini; lyrics: Alexander Block’s poems from public domain

Idea and musical structure

In A. Andante. Working on the melody in this song, I tried to express the images coming out of the verses: a rain’s rare drops, a stream’s murmuring, flowers’ opening, birds’ calling are heard in the melodic outline. The form is free and following the lyrics. The texture is almost transparent, and the harmonies are ‘sharp’. The vocal ranges: soprano – D4 – A5, alto – B3 – C-sharp5, tenor – C-sharp3 – E-sharp4, bass – A2 – G-sharp3.

Lyrics

Russain text

Сирени бледные дождем к земле прибиты…

Замолкла песня соловья;

Немолчно говор слышится сердитый

Разлитого ручья…

 

Природа ждет лучей обетованных:

Цветы поднимут влажный лик,

И вновь в моих садах благоуханных

Раздастся птичий крик…

 

English transliteration

Sireni blednye dozhdyom k zemle pribity…

Zamolkla pesnya solov’ya;

Nemolchno govor slyshitsya serdityy

Razlitovo ruch’ya…

 

Priroda zhdyot luchey obetovannykh:

Tsvety podnimut vlazhnyy lik,

I vnov’ v moikh sadakh blagoukhannykh

Razdastsya ptichiy krik…

 

English translation

Pale lilacs are nailed to the ground by rain

The nightingale’s song has fallen silent;

Incessantly, a grumpy murmur is heard

Out of the flooded stream …

 

The nature is waiting for the promised rays:

The flowers will rise their moist faces,

And in my aromatic gardens, once again,

The bird calls will resound…

 

Performance notes.

1.The piece has a subtle, sophisticated character. It should be performed with light rubato. 2. The piece contains dissonant harmonies which need special care when singing a cappella. 3. The voice ranges are demanding: while the soprano and alto parts have extension at their higher range, the tenor part has the extended lower range. 4. The sustained notes require unnoticeable, non-simultaneous breathing.

 

Look at the score sample

Listen to the MIDI excerpt on SoundCloud

Listen and watch the MIDI excerpt + score sample on YouTube

Listen to and watch the whole piece as media clip on YouTube

Purchase the score + parts on Sheet Music Plus

Purchase the score + parts on Etsy

Two choral songs on Alexander Blok’s poems

Two_choral_songs

  1. Я стремлюсь к роскошной воле / I seek for the splendid vast. D major. Largo
  2. После дождя / After the rain. In A. Andante

 

Date of composing March 2016

Genre choral songs for mixed SATTB / SATB chorus a cappella

Language Russian

Style Romantic, Neo-Romantic

Duration [2’09”], [2’00”]

Level of difficulty intermediate to advanced; advanced

Dedication to Nina A. Zharkova

Copyrights music: © 2016 Natalia Pispini; lyrics: Alexander Block’s poems from public domain

I am glad to introduce another choral works bringing further exploration of the harmonic and textural possibilities of the Romantic music style. It is my second opus (after the cycle on Walt Whitman’s lyrics) composed for mixed a cappella chorus.

The choice was made for two early poems by Russian symbolist poet Alexander Blok (1880-1921), written in 1898-1899. These poems are not so peculiar to the famous symbolist style of Blok; they rather reflect views of a young, daydreaming and romantic personality, with ardent and idealistic attitude to the world around. The poems reveal admiration for the nature but there is also veiled parallelism to the psychological plane of human existence. These early poems by Blok truly bear a resemblance to the works of another Russian Romantic poetry master, Fyodor Tyutchev.

The songs are dedicated to Nina A. Zharkova, my first teacher of music.

For the Russian lyrics, I provide my own literal English translation (and the transliteration can be checked at the links below).

No.1. Я стремлюсь к роскошной воле / Ya stremlyus’ k roskoshnoy vole / I seek for the splendid vast

Russian text

Я стремлюсь к роскошной воле,

Мчусь к прекрасной стороне,

Где в широком чистом поле

Хорошо, как в чудном сне.

Там цветут и клевер пышный,

И невинный василек,

Вечно шелест легкий слышно:

Колос клонит… Путь далек!

Есть одно лишь в океане,

Клонит лишь одно траву…

Ты не видишь там, в тумане,

Я увидел – и сорву!

 

English translation

I seek for the splendid vast,

I rush to the beautiful land,

Where, in a wide smooth meadow,

It’s as good as in a dream.

They’re blooming there: a pompous clover

And an innocent cornflower,

Forever, a rustle’s slightly heard:

The ears are bending… The path is long!

There is only one thing in the ocean,

Only one that bends the grass…

You don’t see it there, in the mist,

I’ve seen, and I’ll pick it up!

 

No.2. После дождя / After the rain

Russian text

Сирени бледные дождем к земле прибиты…

Замолкла песня соловья;

Немолчно говор слышится сердитый

Разлитого ручья…

 

Природа ждет лучей обетованных:

Цветы поднимут влажный лик,

И вновь в моих садах благоуханных

Раздастся птичий крик…

 

English translation

The pale lilacs are nailed to the ground by rain…

The nightingale’s song has fallen silent;

Incessantly, a grumpy murmur is heard

Out of the flooded stream …

 

The nature’s waiting for the promised rays:

The flowers will raise their moist faces,

And again, in my fragrant gardens,

The bird calls will resound…

 

The works are independent from each other and do not constitute a cycle. Both choruses are quite slow (1 – Largo, 2 – Andante) and require long breathing technique. Look at the descriptions of each chorus at the links below.

Я стремлюсь к роскошной воле / I seek for the splendid vast

После дождя / After the rain

The Gods of Old are Silent, on Lord Byron’s poem

For a long time I wanted to compose a choral work with English lyrics but related to Greece. Among the first things there was Lord Byron’s philhellenism that came to my mind, and after searching I found one of his poems, a passage which is practically unknown. It looks rather like an unfinished draft, but the more I was reading it, the more impact it had on me. At once, this rough but yet genius fragment had given to me what I was seeking for: a retrospective view where great Greek mythology, history and spirit of freedom would be condensed just in few lines. Thus I’d made my choice. The choral song is easy to perform, it has only two choral parts (soprano-alto and tenor-bass). The flute pastoral solo (reference to ‘the mighty Pan’) had been added to the classical chorus+piano ensemble as an option.

Structure and technique

The song is in C major, Con moto e narrante. The lyrics are Lord Byron’s passage from his unfinished poem ‘Aristomenes’ written in Cephalonia island in September 1823, shortly after his arriving to Greece to help the Greek people in the liberation:

The Gods of old are silent on the shore.
Since the great Pan expired, and through the roar
Of the Ionian waters broke a dread
Voice which proclaimed “the Mighty Pan is dead.”
How much died with him! false or true—the dream
Was beautiful which peopled every stream
With more than finny tenants, and adorned
The woods and waters with coy nymphs that scorned
Pursuing Deities, or in the embrace
Of gods brought forth the high heroic race
Whose names are on the hills and o’er the seas.

The musical form is free and reflects the text. Natural modes have been chosen as the appropriate for the solemn, epic character of the piece. The phrases are evenly distributed between female and male voices to provide the easiness of singing of choral texture, and that makes the work suitable for amateur singers (while the piano and the flute parts should be considered of intermediate level of difficulty).

Performance notes

The performance is expected to move in moderate tempo and strict, stable rhythm. The flute part is optional and can be omitted.

Date of composing March 2017

Genre choral song for mixed 2-parts chorus, piano and flute

Language English

Style Neo-Romantic

Duration [2’20”]

Level of difficulty beginner or amateur chorus

Copyrights music: © 2017 Natalia Pispini; George Gordon Byron’s poem ‘Aristomenes’ from public domain (https://en.wikisource.org)

Look at the score sample

Listen to the MIDI-rendering on YouTube

Purchase the escore on Etsy 

Purchase the escore on Sheetmusicplus

This work had its first performance on June 24, 2017, in Orestiada, Greece. read more…

 

…the only lily…

The only lily

This lily pond in a botanical garden in Kuala-Lumpur (Malaysia), probably, was not so bright in the season we had visited it: dry and dying plants, lots of duckweed, reflected grey-coated sky and unclean and humid air around… Yet the pond was very attractive. There were few water flowers left, pure beauty, whose pale white heads stayed obscured and almost unnoticed. Since I am an amateur in photography, I could not make any better photo, anyway it is one of my favorite image from our Malaysian collection. As for music, in my current improvisation I tried to follow that rather gloomy atmosphere and an indistinct beauty somewhere there. I chose a mysterious sound of a woodwinds ensemble, chromatic scale and partially parallel and synchronized motion of ’empty’ intervals.

Title …the only lily…

Genre improvisation (live playing on MIDI-keyboard)

Tasks woodwinds; chromatic scale, fourths / fifths / tritone intervals; expression of gloom and obscured beauty

Duration [3’00]

Date of creating May 15, 2017

Copyright © 2017 Natalia Pispini

(Raw score is available on demand. Also you can order a music of similar style from Natalia)

Watch on YouTube

Transparent Green

TransparentGreen_image

All about spring…

This music was composed right before my completion the course ‘Survey of Music Technology’ in Coursera (Georgia Tech University) in winter 2016/2017. I was eager to test new opportunities which come with EarSketch sound library and sound processing effects in DAW Reaper. My previously composed choral piece ‘The First Dandelion‘ was used here as stretched ‘back-sound’, and some more ‘spring’ sounds were added from the library.

Title Transparent Green

Genre contemporary electronic

Duration [6’36”]

Date of creating December 2016

Copyright © 2016 Natalia Pispini

Watch on YouTube

Listen on SoundCloud

 

…that is why the white bird is hiding from people…

That is why the white bird is hiding from people

It was difficult to take a photo of this enigmatic white bird sitting quietly among the palm-tree leaves. But eventually we got it! We walked inside of Bahrain, in province, where there are plenty of whispering palm-trees and joyful birds. It was winter, the best season there…

The image had inspired me for new genre: an improvisation on MIDI-keyboard. Each would employ particular timbres, rhythms, melodic patterns etc. Here it is solo flute and Arabic maqam Bayati, interpreted in free, non-traditional way. Great exercise! Also great way to give the second birth to those numerous photos collected during our trips.

Title …that is why the white bird is hiding from people…

Genre improvisation (live playing on MIDI-keyboard)

Tasks flute; non-traditional approach to maqam Bayati; expression of anxious and shy character

Duration [2’06]

Date of creating April 30, 2017

Copyright © 2017 Natalia Pispini; CC BY-NC license (for non-commercial use)

(Raw score is available on demand. Also you can order the music of similar style from Natalia)

Watch on YouTube