Over Cool Waters Bridge, for chamber ensemble (flexible score)

Title Over Cool Waters Bridge

Date of composing  November 2016

Duration   [3’22”]

Genre piece for chamber ensemble with flexible score: flute, oboe (or Bb clarinet), bass clarinet (or bassoon), contrabassoon (or double bass), harp (or 4 guitars), celesta and harpsichord (or piano for 4 hands)

Style  romantic, ethnic (Asian)

Level of difficulty  from beginner to intermediate

Copyright   © 2017 Natalia Pispini

 

Description

A minor / A major. Allegretto grazioso.

This music is about meeting the past love, hope and dreams. Everything is gone, yet there are sweet memories. Keeping them through the cold waters of broken relationships is the key for the future recollecting the soul.

The use of contrapuntal imitations and pentatonic scales are the main composing technique of this piece. The form is strophic ABA1B1.  The texture is transparent, and the rhythm is limited up to several durations only (like in some Japanese or Chinese folk music styles).

 

Performance notes

Although the composer thinks the original scoring is the best to achieve the desirable sound effect and the fragile mood of this composition, it can be played by different instruments defined in the description above. The tempo should be kept the same from the beginning to the end. The manner of playing is expected to be slightly emotionally distant, subtle and elegant. It is suitable to play for musicians with various background experiences, as well as for amateurs.

 

Look at the score sample

Watch YouTube clip

! This work may be commissioned or/and performed. If you want to play this piece, please contact Natalia. In your message, kindly provide some information  (brief introduction, ensemble title, website, contact details). The score, parts and all necessary material will be sent to you within a week.

Explore my other works for chamber ensembles

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Wind, don’t take me away!

20160315_170538

Composed as an assignment  when taking Coursera course ‘Survey of Music Technology’ (Georgia Tech) (in winter 2016-2017), that was my first attempt to make something not in classical but in popular manner. The style here could be described as a mixture of  ‘funk’ and ‘ambient’… I included ethnic instruments sounds, natural sounds from EarSketch sound library… There are two moments which are personally remarkable for me in this music: 1) I used the live recording I have made in Kuwait, on the stony seashore during a stormy weather. The track is incorporated into the composition in a form of regularly distributed short fragments (so the stormy wind would sound in rhythm). 2) It was written in EarSketch API, with Python code, and that was a real challenge for me since I am not an IT specialist. Although it is not very clear when listening, the initial and the final parts of this music are based on stochastic functions (and that was the point of programming, otherwise you could do the same work, or even better, in DAW).

Listen to the track on SoundCloud