Date of composing April 2017
Genre piece in hymnic character for chamber orchestra (2 flutes, 2 oboes, 2 Bb clarinets, 2 bassoons, 2 horns, 2 Bb trumpets, percussion – triangle, tambourine, frame drum, bass drum, tubular bells, 2 mandolins / ouds, harp, violins I, violins II, violas, violoncellos, contrabasses)
Style contemporary, ethnic (Greek)
Level of difficulty intermediate to advanced
Copyright © 2017 Natalia Pispini
In D minor / G major. Maestoso sonore. The composition is dedicated to celebration of Easter in the Eastern Orthodox Church and it is based on the Greek Paschal troparion ‘Christos anesti’. The idea is to intertwine three layers of tradition such as church singing, folk festivity and individual reflection and enthusiasm within one composition
The melody of the troparion was notated by me out of one of the numerous performances of this hymn in Greek Church. Then I prepared it for usage in my work: all notes were made identical by their duration, and the borders between the words were marked with pauses (you can see the troparion here).
The prepared theme was assigned for playing by a group of instruments. It comes out in 3 different timing versions proportional to 1, 1/3 and 1/9, which sound simultaneously. The longest version, which is repeated only once (played by violoncellos and contrabasses, plus horns and occasional tubular bells), through the medium size version, which is repeated three times (played by violins II plus ornamented clarinets), to the shortest one, which is repeated 9 times (played by violins I plus oboes and flutes). The versions are unfolding in the progress like a fractal structure.
Another group of instruments plays music in respond to the main theme, but it has different musical structure. There are trumpets playing their own theme (consists of 3 long phrases set in bourdon-like texture); as well as harmonic support (violas and bassoons, mandolins and harp).
The third layer is made by the percussion group. They are distributed in specific way to highlight the borders within the whole musical structure.
The character of music comes from its genre of hymn, solemn, bright and praising. It is unified in tempo, rhythm and character, a massive sound cluster which is unfolding for 3 and a half minutes to express strong admiring feelings.
Due to its complex organization, the score is provided by double numeration of the rehearsal marks: the parts engaged with the first theme have numeration 1, 1.1, 1.2, 1.3, 2, 2.1, 2.2, 2.3, 3, 3.1, 3.2, 3.3; while the general score has numeration A, B, C, D, E, F, G, H, I, J.
As for the parts, no specific or extended techniques required. Mandolins can be replaced by ouds if available.
Look at the score sample (pages ##1-5 out of 15 pages in total)
! This work may be commissioned or/and performed. If you want to play this piece, please contact Natalia. In your message, kindly provide some information (brief introduction, collective’s title, website, contact details). The score, parts and all necessary material will be sent to you within a week.