In Yellow Waves, for Bb trumpet, alto saxophone and drums

InYellowWaves_title

 

  1. Larghetto e dondolante
  2. Allegretto energico

 Genre contrapuntal pieces

Date of composing October 2014, November 2016 – revised (I); March 2017 (II)

Style contemporary, jazz

Duration [1’57”], [1’47”]

Level of difficulty intermediate to advanced

Copyright © 2014-2017 Natalia Pispini

Description

The idea of these pieces occurred after the trip through the Arabian desert. The highway crossed endless sand-dunes which took bizarre dark-yellow color due to the car’s UV-protected windows. The view of that sand ocean together with the huge sun disk hanging indifferently in the sky had left an unforgettable image. Thus ‘In Yellow Waves I’ was created. Later I composed the second piece, a ‘companion’ with similar conception of undulating melody but contrasting by tempo, rhythm and character.

In both compositions the contrapuntal polyphonic technique of canon (strict or free) was applied. The texture keeps canon fragments coming and disappearing, or it may change intervals. The drums (one player) perform rhythmic accompaniment. Bitonality (I) and bimodality (II) bring more chilly and dissonant sound. Another distinctive feature is the uneven meter 7/8 in the second piece.

The following instruments are used for the drums part:

I – acoustic bass drum, acoustic snare, hi-hat, 2 hanging toms and a floor tom, crash cymbal, ride cymbal, tambourine, triangle, cowbell.

II – acoustic bass drum, acoustic snare, hi-hat, 2 hanging toms and a floor tom, crash cymbal, ride cymbal, China cymbal, tambourine.

To learn the further details, to look at the score and the audio samples and to purchase the scores, please click on the links below.

In Yellow Waves I

In Yellow Waves II

Two Salon Pieces, for string quartet

Two Salon Pieces

  1. Expectation. A major. Tempo di Valse
  2. Determination. A minor. Tempo di Mazurka

 Genre pieces for string quartet (2 violins, viola, cello) in character of waltz and mazurka dances

Date of composing October 2014; March 2016 – revised

Style Neo-Romantic

Duration [2’00”], [1’57”]

Level of difficulty beginner to intermediate; intermediate to advanced

Copyright © 2014-2016 Natalia Pispini

Description

Here is my first attempt to compose miniatures for string quartet, with classical approach to musical form and texture, and touches of Neo-Romantic emotionalism on the level of harmony and tonalities. Both pieces display an airy and capricious character; both are connected with the dance meters / rhythmic patterns. Maybe, these things have eventually brought me to the title ‘Salon Pieces’. Both are composed in a simple ternary musical form ABA1. The texture is basically homophonic (melody or ‘thickened’ melody vs. harmonic support) and enriched by flashes of ‘spicy’ chromatic notes. The bowing technique is specified if necessary.

To learn the details please click on the links below

Expectation

Determination

Songs of Spring, three choral songs on Walt Whitman’s poems

 

songs_of_spring_title

  1. The First Dandelion. C major. Adagio
  2. After the Dazzle of Day. B minor – B major. Lento
  3. Out of May’s Shows Selected. G major. Allegretto

Date of composing April 2014; May 2015 – revised; January 2016 – revised

Genre choral songs for mixed chorus SATB a cappella; the second song is for SATB and alto solo

Language English

Style Romantic

Duration [1’43”], [2’21”], [1’52”]

Level of difficulty advanced

Copyrights music: © 2014-2016 Natalia Pispini; lyrics: Walt Whitman’s poems from public domain (credit to http://www.gutenberg.org)

Ideas and inspirations

Composed in spring but in desert scorching environment, the work was inspired by my dreaming of a spring full of fresh colors, fragrant smells and awaking noises. Three short poems by Walt Whitman had been chosen from his great poetic cycle ‘The Leaves of Grass’, because of their vivid and picturesque character. They were combined within a cycle with its own evolution of poetical mood. The unity of these songs I could describe as a course of spring with the parallels to some phases of human life. Thus, the music is displaying images from the early spring (1st song with its pale colors, fresh plants, shy emergence, innocence, calmness) through the moment of pause and self-reflection (2nd song) to the late spring (3rd song with its bold colors, grown plants, completed existence, maturity, motion). The alternating focus onto external and internal world creates additional lyrical dramatic contrast within the cycle.

Performance notes

When performed together, it is important to follow up the original tonalities and tempo marks. For the performance notes, score samples and audio samples of each of the songs please click on the references below. Although the songs are intended to be performed as a cycle, it is possible to sing them separately.

The First Dandelion

After the Dazzle of Day

Out of May’s Shows Selected