Weaves and Tangles, for flute

Weaves_and_Tangles_common_title

 

Date of composing February 2018

Duration [3’53”], [2’44’’], [4’28’’]

Genre  character pieces for solo flute

Style contemporary, neo-romantic

Level of difficulty advanced

Copyright   © 2018 Natalia Pispini

1. In G. Allegro e Adagio. 2. In B flat. Allegretto spensierato. 3. In G. Moderato scherzando

Inspirations

The weaving lines of my artworks ‘Reused Wood Lace’ served as a primary source of inspiration for this music. The fragments of those artworks were also used to decorate the score covers and the media clips. I thought of weaving, bending and intertwining branches like motifs melodically wavy and rhythmically expressing kind of interrupted regularity. As for character, this music can be interpreted as abstract pictures (with scattered dots, curved lines and complex shapes). Or one could describe it in terms of changeable mood, capricious sensitivity, or elegance of weird dancing. Or maybe it is just ‘voices’ of the nature like birds, springs, winds, whisper of leaves, veiled and passed through the filter of individual musical ‘vision’ …

Musical structure

All pieces are stylistically similar and have the same composing principles of rhythmic changeability, metric instability, and gradual modification of scales.  The melodies are based on symmetrical or non-symmetrical scales, but the diatonic foundation and tonalities are recognizable. The variety of rhythmic patterns was applied (symmetrical, additive, divisive etc.). The musical structure is free form in piece No.1, and ternary form in pieces No.2 and 3.

Performance notes

Three pieces are independent and aimed to be performed separately, but it is possible to play them successively as a cycle. No extended technique is needed. Nevertheless, many rhythmical and textural challenges claim for the advanced level of difficulty.

! These works can be commissioned or / and performed. To get the score(s) for your performance please visit my contact page and apply providing all required information. The scores are free of charge.

Look at the score samples:

Weaves and Tangles 1

Weaves and Tangles 2

Weaves and Tangles 3

Watch the scores with computer-generated sound on YouTube :

 

 

 

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Over Cool Waters Bridge, for chamber ensemble (flexible score)

 

Title Over Cool Waters Bridge

Date of composing  November 2016

Duration   [3’22”]

Genre piece for chamber ensemble with flexible score: flute, oboe (or Bb clarinet), bass clarinet (or bassoon), contrabassoon (or double bass), harp (or 4 guitars), celesta and harpsichord (or piano for 4 hands)

Style  romantic, ethnic (Asian)

Level of difficulty  from beginner to intermediate

Copyright   © 2017 Natalia Pispini

 

Description

A minor / A major. Allegretto grazioso.

This music is about meeting the past love, hope and dreams. Everything is gone, yet there are sweet memories. Keeping them through the cold waters of broken relationships is the key for the future recollecting the soul.

The use of contrapuntal imitations and pentatonic scales are the main composing technique of this piece. The form is strophic ABA1B1.  The texture is transparent, and the rhythm is limited up to several durations only (like in some Japanese or Chinese folk music styles).

 

Performance notes

Although the composer thinks the original scoring is the best to achieve the desirable sound effect and the fragile mood of this composition, it can be played by different instruments defined in the description above. The tempo should be kept the same from the beginning to the end. The manner of playing is expected to be slightly emotionally distant, subtle and elegant. It is suitable to play for musicians with various background experiences, as well as for amateurs.

 

Look at the score sample

Watch YouTube clip

! This work may be commissioned or/and performed. If you want to play this piece, please contact Natalia. In your message, kindly provide some information  (brief introduction, ensemble title, website, contact details). The score, parts and all necessary material will be sent to you within a week.

Explore my other works for chamber ensembles

Fire-Flowers, on E.P. Johnson’s poem for a cappella SATB chorus

 

Date of composing October 2017

Genre choral song for mixed SATB chorus a cappella

Language English

Style Neo-Romantic, contemporary, ethnic

Duration [2’16”]

Level of difficulty intermediate to advanced

Copyrights music: © 2016 Natalia Pispini; lyrics: Emily Pauline Johnson’s poems from public domain

 

Idea and musical structure

B minor. Lento. The song has slightly severe and bitter mood affected by the poetic meaning of the verses. The strophic AA1 form follows the two couplets of the poem. The harmonies are of the romantic style, enriched by additional dissonant tones and dynamic modulations to distant tonalities. There are some features of Mohawk (Native American) music as well: ‘trichord’ pitch sets, dotted rhythms and sung syllables. The ranges are: soprano – F4 – G5, alto – A3 – A4, tenor – D3 – E4, bass – G2 – A3.

 

Lyrics

For this choral song, I chose a remarkable poem ‘Fire-Flowers’ by Emily Pauline Johnson (1861-1913), Canadian and Mohawk poet, writer and performer.

EPJohnson1

Fire-Flowers

by Emily Pauline Johnson

And only where the forest fires have sped,
Scorching relentlessly the cool north lands,
A sweet wild flower lifts its purple head,
And, like some gentle spirit sorrow-fed,
It hides the scars with almost human hands.

And only to the heart that knows of grief,
Of desolating fire, of human pain,
There comes some purifying sweet belief,
Some fellow-feeling beautiful, if brief.
And life revives, and blossoms once again.

 

Performance notes

No extended technique required.

Look at the score sample

! This work may be commissioned or/and performed. If you want to perform this song, please contact Natalia. In your message, kindly provide some information  (brief introduction, collective title, website, contact details).  The score, parts and all necessary material will be sent to you within a week.


Image of E.P. Johnson credit: Cochran / Library and Archives Canada, Acc. / no. 1952-010 / C-085125


 

Explore my other choral compositions

…eventide will come…(improvisation)

Eventide will come

Sunny day on a beach in the Gulf… So noisy, busy and shiny all day long, and suddenly getting quiet by the evening… And before the evening there was an hour or so when you could sense this turning to the slow mood. I was fascinated by those slight changes… Playing this music, I thought of the moment when our thoughts are calming down and we feel that happiness  of the being itself, no matter what is around. For that expression I chose simple major scale and slow change of bases of harmonies (pedal points).

Title …eventide will come…

Genre improvisation (live playing on MIDI-keyboard)

Tasks piano; major scale, pedal points; expression of calming down and happiness

Duration [2’40]

Date of creating May 8, 2017

Copyright © 2017 Natalia Pispini; CC BY-NC license (for non-commercial use)

(Raw score is available on demand. You can order similar style music from Natalia)

Watch on YouTube

Two Salon Pieces, for string quartet

Two Salon Pieces

  1. Expectation. A major. Tempo di Valse
  2. Determination. A minor. Tempo di Mazurka

Genre pieces for string quartet (2 violins, viola, cello) in character of waltz and mazurka dances

Date of composing October 2014; March 2016 – revised

Style Neo-Romantic

Duration [2’00”], [1’57”]

Level of difficulty beginner to intermediate; intermediate to advanced

Copyright © 2014-2016 Natalia Pispini

Description

Here is my first attempt to compose miniatures for string quartet, with classical approach to musical form and texture, and touches of Neo-Romantic emotionalism on the level of harmony and tonalities. Both pieces display an airy and capricious character; both are connected with the dance meters / rhythmic patterns. Maybe, these things have eventually brought me to the title ‘Salon Pieces’. Both are composed in a simple ternary musical form ABA1. The texture is basically homophonic (melody or ‘thickened’ melody vs. harmonic support) and enriched by flashes of ‘spicy’ chromatic notes. The bowing technique is specified if necessary.

To learn the details please follow the links below

Expectation

Determination

 

Explore my other works for chamber ensembles

Determination, for string quartet

From ‘Two Salon Pieces, for string quartet’

Date of composing March 2016

Genre a piece for string quartet (2 violins, viola, cello) in character of mazurka

Style Neo-Romantic

Duration [1’57”]

Level of difficulty advanced

Copyright © 2016 Natalia Pispini

Description

In A minor, Tempo di Mazurka. Lyrical and dramatic mood is prevailing here, with mazurka meter of ¾ and the rhythmic patterns typical for this dance. The ternary form ABA1 has shortened B section. The almost relentless tempo, the predominance of minor tonalities and the ‘insisting’ repeated figure at the cello part – all these features serve the named character of ‘determination’. But the chromatic details reveal anxious and unstable property in the whole.

Performance notes

The performance of this piece requires basic level of virtuosity. Besides dramatic development within the piece, it is expected to be played in relatively light and elegant sound. Holding strictly the tempo and following precisely the rhythmic patterns are essential for the musical image.

Look at the score sample

Listen to the midi rendering

! This work may be commissioned or/and performed. If you want to play this piece, please contact Natalia. In your message, kindly provide some information  (brief introduction, collective’s title, website, contact details). The score, parts and all necessary material will be sent to you within a week.

Explore my other works for chamber ensembles

Expectation, for string quartet

 From ‘Two Salon Pieces‘, for string quartet

Date of composing October 2014; March 2016 – revised

Genre a piece for string quartet (2 violins, viola, cello) in character of waltz

Style Neo-Romantic

Duration [2’00”]

Level of difficulty beginner to intermediate

Copyright © 2014-2016 Natalia Pispini

Description

In A major, Tempo di Valse. The composition displays pure lyrical character based on waltz meter ¾ and, at the same time, develops in changeable motion associated with the emotions of ‘expectation’ which is here kind of romantic dreams, hopes and reveries. The contrasting middle section (C minor) of the ternary form ABA1 brings for a while more dramatic sounds.

Performance notes

Although the composition holds the dance rhythm, the manner of playing is a piacere, so the musicians are free to alternate slightly the tempo. (The phrases with wider melody supported by arpeggio chords are the most suitable for slowing down.) The important part of expressiveness in this piece is the legato technique applied to the variations in phrasing.

Look at the score sample

Listen to the midi rendering

! This work may be commissioned or/and performed. If you want to play this piece, please contact Natalia. In your message, kindly provide some information  (brief introduction, collective’s title, website, contact details). The score, parts and all necessary material will be sent to you within a week.

Explore my other works for chamber ensembles