Our Best Wishes, for woodwind quartet and percussion

 

Title Our Best Wishes

Date of composing December 2017

Duration [2’34”]

Genre  piece for woodwind quartet (flute, oboe, Bb clarinet, bassoon) and percussion for 2 players (triangle, tambourine, cowbell, glockenspiel)

Style Neo-Renaissance

Level of difficulty intermediate to advanced

Copyright   © 2016 Natalia Pispini

 

Inspiration and musical structure

Allegretto giocoso. In G. The work is about winter celebrations, and there were three major sources that inspired me in composition.

One is my remembering of Russian snow, its sound when you walk over, its smell, and a very special mood which you experience in winter when the New Year day is coming soon.

The second source is my impression after the Greek carols kalanda. Nowadays, they are still performed in Greek villages. Young boys and girls, or very small kids wander around in neighborhood, knock the doors and sing kalanda where they express good wishes to the householders. The singers accompany themselves with metallic triangle trigono, or framed drum tumbeleki, or even bagpipe gaida. Many of those songs are coming from the Byzantine past, bearing the old musical style connected with natural and church modes, or with regular rhythmic patterns-formulas etc. Greek kalanda may have uneven rhythmic schemes which are common in Balkan music.

The third source is Renaissance Italian genres like frottola and madrigal.

The character of the piece is light, merry and joyful. I imagined kids playing light percussion instruments, singing their wishes with light and high voices. The rhythm is uneven 7+7/16.  The unevenness brings an elegance and some ethnic nuance, and  it refreshes the normal 6/8 basic scheme. The harmonic structure is simple and consists of the triads passing from one tonality to another.

The ternary form /:A:/BA2 has repeated interludia sectors.

Performance notes

Rhythmic accuracy, perfect synchronization in time and manner of playing (legato, staccato and tenuto) are important. It is possible that the parts of triangle, tambourine and cowbell can be played by one musician if these instruments are framed.

Look at the score sample

! This work may be commissioned or/and performed. If you want to play this piece, please contact Natalia. In your message, kindly provide some information  (brief introduction, ensemble title, website, contact details). The score, parts and all necessary material will be sent to you within a week.

 

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Pagodas Sailing in Clouds, for woodwind quartet

 

Title Pagodas Sailing in Clouds

Date of composing September 2017

Duration [3’04”]

Genre piece for woodwind quartet (flute, oboe, Bb clarinet, bassoon)

Style contemporary, ethnic (Asian), neo-romantic, post-impressionistic

Copyright  © 2017 Natalia Pispini

 

Description

In F.  Adagio arioso. This is about something vague, obscure and ever-changing like clouds in mountains and objects behind them that appear and disappear. During the process of composition the images of distant beautiful pagodas came to my mind, which are hidden in mountain clouds in motion.

The piece is composed with use of contrapuntal technique of imitations and variation technique, and it is implementing different types of the pentatonic scale. It has the form A A1 AA3 where A2 and A3 can also be interpreted as a middle section and a recapitulation. There are 3 contrast themes: the ‘calls’ (in the beginnings of each phrase), the theme with contrapuntal ‘flowing’ texture (the ‘body’ of the phrases), and the staccato motifs (in the end of phrases). The ‘calls’ are played with delay which creates the sonoric effect of folk-like playing, a bit out of coordination.

 

Performance notes

No extended technique is required. Flexibility in reading modal scales and non-standard rhythm, good skills of playing within extended pitch ranges, and quick staccato technique (for flute, clarinet and bassoon) are necessary for the best performance of this composition.

Look at the score sample

Listen to the MIDI-generated excerpt on YouTube

! This work may be commissioned or/and performed. If you want to play this piece, please contact Natalia. In your message, kindly provide some information  (brief introduction, ensemble title, website, contact details). The score, parts and all necessary material will be sent to you within a week.

Explore my other works for chamber ensembles